%% Generated by lilypond-book.py %% Options: [alt=[image of music],printfilename,indent=0\mm,texidoc,line-width=160\mm] \include "lilypond-book-preamble.ly" % **************************************************************** % Start cut-&-pastable-section % **************************************************************** \paper { #(define dump-extents #t) indent = 0\mm line-width = 160\mm force-assignment = #"" line-width = #(- line-width (* mm 3.000000)) } \layout { } % **************************************************************** % ly snippet: % **************************************************************** \sourcefilename "/home/lilydev/vc/gub/target/linux-x86/src/lilypond-localhost--home-lilydev-vc-lilypond-master/input/regression/mensural-ligatures.ly" \sourcefileline 0 \version "2.11.51" \header { texidoc = "Mensural ligatures show different shapes, depending on the rhythmical pattern and direction of the melody line." } \layout { ragged-right = ##t packed = ##t indent = 0.0 \context { \Voice \remove Ligature_bracket_engraver \consists Mensural_ligature_engraver } } \context Voice{ \clef "petrucci-c4" \set Staff.printKeyCancellation = ##f \cadenzaOn % turn off bar lines #(set-accidental-style 'forget) % ligaturae binaria \[ b\breve^\markup { \column { { \bold "ligaturae binaria" } "BL" } } g\longa \] \[ g\breve^\markup { "BL" } b\longa \] \[ b\longa^\markup { "LL" } g \] \[ g\longa^\markup { "LL" } b \] \[ b\breve^\markup { "BB" } g \] \[ g\breve^\markup { "BB" } b \] \[ b\longa^\markup { "LB" } g\breve \] \[ g\longa^\markup { "LB" } b\breve \] \[ b1^\markup { "SS" } g \] \[ g1^\markup { "SS" } b \] \bar "|" \break % ligaturae ternariae, quaternariae, etc. (sicut in Apel[1]) \[ b\breve^\markup { \column { { \bold "ligaturae ternariae, quaternariae, etc." } "BBL" } } a g\longa \] \[ a\breve^\markup { "BBBB" } g a b \] \[ b1^\markup { "SSBBBLB" } a g\breve a b a\longa b\breve \] \[ a\longa^\markup { "LBMxBL" } g\breve a\maxima b\breve a\longa \] \[ d'\breve^\markup { "BBBBLL" } c' f d' b\longa g \] \[ c'1^\markup { "SSBLLBB" } b g\breve d'\longa a c'\breve b \] \bar "|" \break % examples from "dtv-Atlas zur Musik" [2] \[ d'\breve^\markup { \column { { \bold "dtv-Atlas" } "BBL" } } c' b\longa \] \[ a\breve^\markup { "BBBL" } b c' d'\longa \] \[ b\longa.^\markup { "L.B.BBLBBB" } g\breve. a\breve b c'\longa a\breve b a \] \[ c'1^\markup { "SSBB" } b g\breve a \] \[ b\longa^\markup { "LBL" } a\breve c'\longa \] \[ a1^\markup { "SSBL" } b d'\breve c'\longa \] \bar "|" \break % some ligatures from Ockeghem: Missa De plus en plus \[ c'\maxima^\markup { \column { { \bold "Ockeghem: Missa De plus en plus" } "MxMx" } } g \] \[ d\longa^\markup { "LBBBB" } c\breve f e d \] \[ c'\maxima^\markup { "MxL" } d'\longa \] \[ e'\breve^\markup { "BBB" } d' c' \] \[ b\longa^\markup { "LBBBBB" } c'\breve d' g f g \] \[ g\breve^\markup { "BBBBL" } b c' e' d'\longa \] \[ e'1^\markup { "SSB" } a g\breve \] \[ g\longa^\markup { "LLLL" } b c' e' \] \bar "|" \break % some from the Requiem \[ a1^\markup { \column { { \bold "Ockeghem: Requiem" } "SSBBBBBBBL" } } d e\breve f d f e f g e\longa \] \[ c'\breve^\markup { "BBBBL" } c d c c'\longa \] \bar "|" \break % crazy ligatures \[ c\breve^\markup { \column { { \bold "crazy ligatures" } "BBBBB" } } e f g bes \] \[ bes\breve^\markup { "BB" } a \] % TODO: accidentals must be collected and printed before ligature \[ a\breve.^\markup { "B.B.B.B.B.B.B.B.B." } g b a e g f a g \] \[ b^\markup { "B.B." } a \] % TODO: dots within ligatures must be placed above heads \bar "|" \break % invalid ligatures (those commented out are rejected with explanation) % \[ % a1^\markup { \column { { \bold "invalid ligatures" } "SS" } } % as % \] \[ a\breve^\markup { "BBB" } g as \] % \[ % f\longa^\markup { "LLB" } % g % f\breve % \] % \[ % f\breve^\markup { "BSLB" } % a1 % g\longa % a\breve % \] } % Litterae: % % [1] Willi Apel: The Notation of Polyphonic Music. 900-1600. % [2] Ulrich Michels: dtv-Altlas zur Musik, 1977. % % **************************************************************** % end ly snippet % ****************************************************************