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<div class="node">
<p>
<a name="Ancient-notation-templates"></a>
Siguiente:&nbsp;<a rel="next" accesskey="n" href="Jazz-combo.es.html#Jazz-combo">Combo de jazz</a>,
Anterior:&nbsp;<a rel="previous" accesskey="p" href="Vocal-ensembles.es.html#Vocal-ensembles">Conjuntos vocales</a>,
Arriba:&nbsp;<a rel="up" accesskey="u" href="Templates.es.html#Templates">Plantillas</a>
<hr>
</div>

<h3 class="appendixsec">A.5 Plantillas para notación antigua</h3>

<h4 class="appendixsubsec">A.5.1 Transcripción de música mensural</h4>

<p>Cuando se transcribe música mensural, es útil un «incipit» al principio de la pieza
para indicar la tonalidad y el compás originales.  Aunque hoy en día
los músicos están acostumbrados a las barras de compás para reconocer más rápidamente los patrones
rítmicos, las líneas divisorias no se habían inventado aún en el período de la música mensural;
de hecho, el compás solía cambiar cada pocas notas. 
A modo de compromiso, las líneas de compás se suelen imprimir entre los pentagramas
en vez de hacerlo sobre ellos.

<pre class="verbatim">
\version "2.11.51"

global = {
  \set Score.skipBars = ##t

  % incipit
  \once \override Score.SystemStartBracket #'transparent = ##t
  \override Score.SpacingSpanner #'spacing-increment = #1.0 % tight spacing
  \key f \major
  \time 2/2
  \once \override Staff.TimeSignature #'style = #'neomensural
  \override Voice.NoteHead #'style = #'neomensural
  \override Voice.Rest #'style = #'neomensural
  \set Staff.printKeyCancellation = ##f
  \cadenzaOn % turn off bar lines
  \skip 1*10
  \once \override Staff.BarLine #'transparent = ##f
  \bar "||"
  \skip 1*1 % need this extra \skip such that clef change comes
            % after bar line
  \bar ""

  % main
  \revert Score.SpacingSpanner #'spacing-increment % CHECK: no effect?
  \cadenzaOff % turn bar lines on again
  \once \override Staff.Clef #'full-size-change = ##t
  \set Staff.forceClef = ##t
  \key g \major
  \time 4/4
  \override Voice.NoteHead #'style = #'default
  \override Voice.Rest #'style = #'default

  % FIXME: setting printKeyCancellation back to #t must not
  % occur in the first bar after the incipit.  Dto. for forceClef.
  % Therefore, we need an extra \skip.
  \skip 1*1
  \set Staff.printKeyCancellation = ##t
  \set Staff.forceClef = ##f

  \skip 1*7 % the actual music

  % let finis bar go through all staves
  \override Staff.BarLine #'transparent = ##f

  % finis bar
  \bar "|."
}

discantusNotes = {
  \transpose c' c'' {
    \set Staff.instrumentName = "Discantus  "

    % incipit
    \clef "neomensural-c1"
    c'1. s2   % two bars
    \skip 1*8 % eight bars
    \skip 1*1 % one bar

    % main
    \clef "treble"
    d'2. d'4 |
    b e' d'2 |
    c'4 e'4.( d'8 c' b |
    a4) b a2 |
    b4.( c'8 d'4) c'4 |
    \once \override NoteHead #'transparent = ##t c'1 |
    b\breve |
  }
}

discantusLyrics = \lyricmode {
  % incipit
  IV-

  % main
  Ju -- bi -- |
  la -- te De -- |
  o, om --
  nis ter -- |
  ra, __ om- |
  "..." |
  -us. |
}

altusNotes = {
  \transpose c' c'' {
    \set Staff.instrumentName = "Altus  "

    % incipit
    \clef "neomensural-c3"
    r1        % one bar
    f1. s2    % two bars
    \skip 1*7 % seven bars
    \skip 1*1 % one bar

    % main
    \clef "treble"
    r2 g2. e4 fis g | % two bars
    a2 g4 e |
    fis g4.( fis16 e fis4) |
    g1 |
    \once \override NoteHead #'transparent = ##t g1 |
    g\breve |
  }
}

altusLyrics = \lyricmode {
  % incipit
  IV-

  % main
  Ju -- bi -- la -- te | % two bars
  De -- o, om -- |
  nis ter -- ra, |
  "..." |
  -us. |
}

tenorNotes = {
  \transpose c' c' {
    \set Staff.instrumentName = "Tenor  "

    % incipit
    \clef "neomensural-c4"
    r\longa   % four bars
    r\breve   % two bars
    r1        % one bar
    c'1. s2   % two bars
    \skip 1*1 % one bar
    \skip 1*1 % one bar

    % main
    \clef "treble_8"
    R1 |
    R1 |
    R1 |
    r2 d'2. d'4 b e' | % two bars
    \once \override NoteHead #'transparent = ##t e'1 |
    d'\breve |
  }
}

tenorLyrics = \lyricmode {
  % incipit
  IV-

  % main
  Ju -- bi -- la -- te | % two bars
  "..." |
  -us. |
}

bassusNotes = {
  \transpose c' c' {
    \set Staff.instrumentName = "Bassus  "

    % incipit
    \clef "bass"
    r\maxima  % eight bars
    f1. s2    % two bars
    \skip 1*1 % one bar

    % main
    \clef "bass"
    R1 |
    R1 |
    R1 |
    R1 |
    g2. e4 |
    \once \override NoteHead #'transparent = ##t e1 |
    g\breve |
  }
}

bassusLyrics = \lyricmode {
  % incipit
  IV-

  % main
  Ju -- bi- |
  "..." |
  -us. |
}

\score {
  \new StaffGroup = choirStaff &lt;&lt;
    \new Voice =
      "discantusNotes" &lt;&lt; \global \discantusNotes >>
    \new Lyrics =
      "discantusLyrics" \lyricsto discantusNotes { \discantusLyrics }
    \new Voice =
      "altusNotes" &lt;&lt; \global \altusNotes >>
    \new Lyrics =
      "altusLyrics" \lyricsto altusNotes { \altusLyrics }
    \new Voice =
      "tenorNotes" &lt;&lt; \global \tenorNotes >>
    \new Lyrics =
      "tenorLyrics" \lyricsto tenorNotes { \tenorLyrics }
    \new Voice =
      "bassusNotes" &lt;&lt; \global \bassusNotes >>
    \new Lyrics =
      "bassusLyrics" \lyricsto bassusNotes { \bassusLyrics }
  >>
  \layout {
    \context {
      \Score

      % no bars in staves
      \override BarLine #'transparent = ##t

      % incipit should not start with a start delimiter
      \remove "System_start_delimiter_engraver"
    }
    \context {
      \Voice

      % no slurs
      \override Slur #'transparent = ##t

      % Comment in the below "\remove" command to allow line
      % breaking also at those barlines where a note overlaps
      % into the next bar.  The command is commented out in this
      % short example score, but especially for large scores, you
      % will typically yield better line breaking and thus improve
      % overall spacing if you comment in the following command.
      %\remove "Forbid_line_break_engraver"
    }
  }
}
</pre>
<p>
 <a href="../2d/lily-62ff07d6.ly"> <img align="middle" border="0" src="../2d/lily-62ff07d6.png" alt="[image of music]"> </a>
</p>

<h4 class="appendixsubsec">A.5.2 Plantilla para transcripción de canto gragoriano</h4>

<p>Este ejemplo es una demostración de cómo hacer transcripción moderna de Canto
Gregoriano.  La música gregoriana no tiene compás ni plicas; usa solamente cabezas de
nota de blanca y negra, y marcas especiales que indican silencios de distinta longitud.

   <blockquote>
<pre class="verbatim">     
     \include "gregorian-init.ly"
     \version "2.11.51"
     
     chant = \relative c' {
       \set Score.timing = ##f
       f4 a2 \divisioMinima
       g4 b a2 f2 \divisioMaior
       g4( f) f( g) a2 \finalis
     }
     
     verba = \lyricmode {
       Lo -- rem ip -- sum do -- lor sit a -- met
     }
     
     \score {
       \new Staff &lt;&lt;
         \new Voice = "melody" {
           \chant
         }
         \new Lyrics = "one" \lyricsto melody \verba
       >>
     
       \layout {
         \context {
           \Staff
           \remove "Time_signature_engraver"
           \remove "Bar_engraver"
           \override Stem #'transparent = ##t
         }
         \context {
           \Voice
           \override Stem #'length = #0
         }
         \context {
           \Score
           barAlways = ##t
         }
       }
     }
</pre>
     <p>
 <a href="../9b/lily-e9fd995b.ly"> <img align="middle" border="0" src="../9b/lily-e9fd995b.png" alt="[image of music]"> </a>
</p>

   </blockquote>

   <!-- footer_tag --><br><hr>
<div class="node">
<p>
Siguiente:&nbsp;<a rel="next" accesskey="n" href="Jazz-combo.es.html#Jazz-combo">Combo de jazz</a>,
Anterior:&nbsp;<a rel="previous" accesskey="p" href="Vocal-ensembles.es.html#Vocal-ensembles">Conjuntos vocales</a>,
Arriba:&nbsp;<a rel="up" accesskey="u" href="Templates.es.html#Templates">Plantillas</a>
</div>

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<P>
 Otros idiomas: <a href="Ancient-notation-templates.html">English</a>, <a href="Ancient-notation-templates.de.html">deutsch</a>.
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