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<div class="node">
<p>
<a name="Real-music-example"></a>
Previous:&nbsp;<a rel="previous" accesskey="p" href="Fixing-overlapping-notation.fr.html#Fixing-overlapping-notation">Fixing overlapping notation</a>,
Up:&nbsp;<a rel="up" accesskey="u" href="Collisions-of-objects.fr.html#Collisions-of-objects">Collisions of objects</a>
<hr>
</div>

<h4 class="subsection">4.5.3 Real music example</h4>

<p>We end this section on Tweaks by showing the steps to be taken to
deal with a tricky example which needs several tweaks to produce
the desired output.  The example has been deliberately chosen to
illustrate the use of the Notation Reference to resolve unusual
problems with notation.  It is not representative of more usual
engraving process, so please do not let these difficulties put
you off!  Fortunately, difficulties like these are not very common!

   <p>The example is from Chopin's Première Ballade, Op. 23, bars 6 to
9, the transition from the opening Lento to Moderato. 
Here, first, is what we want the output to look like, but to avoid
over-complicating the example too much we have left out the
dynamics, fingering and pedalling.

<!-- The following should appear as music without code -->
   <blockquote>
     <p>
 <a href="../1f/lily-5338b47c.ly">
  <img align="middle"
    border="0" src="../1f/lily-5338b47c.png" alt="[image of music]">
 </a>
</p>

   </blockquote>

   <p>We note first that the right hand part in the third bar
requires four voices.  These are the five beamed eighth notes,
the tied C, the half-note D which is merged with the eighth note
D, and the dotted quarter note F-sharp, which is also merged with
the eighth note at the same pitch.  Everything else is in a single
voice, so the easiest way is to introduce these four voices
temporarily at the time they are needed.  If you have forgotten
how to do this, look at <a href="I_0027m-hearing-Voices.fr.html#I_0027m-hearing-Voices">I'm hearing Voices</a>.  Let us begin
by entering the notes as two variables and setting up the staff
structure in a score block, and see what LilyPond produces by
default:

   <blockquote>
<pre class="verbatim">     
     rhMusic = \relative c'' {
       r2 c4. g8 |
       bes1~ |
       \time 6/4
       bes2. r8
       % Start polyphonic section of four voices
       &lt;&lt;
         {c,8 d fis bes a | }
       \\
         {c,8~ c2 | }
       \\
         {s8 d2 | }
       \\
         {s4 fis4. | }
       >>
       g2.
     }
     
     lhMusic = \relative c' {
       r2 &lt;c g ees>2 |
       &lt;d g, d>1 |
       r2. d,,4 r4 r |
       r4
     }
     
     \score {
       \new PianoStaff &lt;&lt;
         \new Staff = "RH"  &lt;&lt;
           \key g \minor
           \rhMusic
         >>
         \new Staff = "LH" &lt;&lt;
           \key g \minor
           \clef "bass"
           \lhMusic
         >>
       >>
     }
</pre>
     <p>
 <a href="../17/lily-f23024a0.ly">
  <img align="middle"
    border="0" src="../17/lily-f23024a0.png" alt="[image of music]">
 </a>
</p>

   </blockquote>

   <p>All the notes are right, but the appearance is far from
satisfactory.  The tie clashes with the change in time signature,
the beaming in the third bar is wrong, the notes are not
merged together, and several notation elements are missing. 
Let's first deal with the easier things. 
We can correct the beaming by inserting a beam
manually, and we can easily add the left hand slur and the right
hand phrasing slur, since these were all covered in the Tutorial. 
Doing this gives:

   <blockquote>
<pre class="verbatim">     
     rhMusic = \relative c'' {
       r2 c4.\( g8 |
       bes1~ |
       \time 6/4
       bes2. r8
       % Start polyphonic section of four voices
       &lt;&lt;
         {c,8[ d fis bes a] | }
       \\
         {c,8~ c2 | }
       \\
         {s8 d2 | }
       \\
         {s4 fis4. | }
       >>
       g2.\)
     }
     
     lhMusic = \relative c' {
       r2 &lt;c g ees>2( |
       &lt;d g, d>1) |
       r2. d,,4 r4 r |
       r4
     }
     
     \score {
       \new PianoStaff &lt;&lt;
         \new Staff = "RH"  &lt;&lt;
           \key g \minor
           \rhMusic
         >>
         \new Staff = "LH" &lt;&lt;
           \key g \minor
           \clef "bass"
           \lhMusic
         >>
       >>
     }
</pre>
     <p>
 <a href="../ee/lily-8e9a4e42.ly">
  <img align="middle"
    border="0" src="../ee/lily-8e9a4e42.png" alt="[image of music]">
 </a>
</p>

   </blockquote>

   <p>The first bar is now correct.  The second bar contains an arpeggio
and is terminated by a double bar line.  How do we do these, as they
have not been mentioned in this Learning Manual?  This is where
we need to turn to the Notation Reference.  Looking up &lsquo;arpeggio&rsquo;
and &lsquo;bar line&rsquo; in the
index quickly shows us that an arpeggio is produced by appending
<code>\arpeggio</code> to a chord, and a double bar line is produced by
the <code>\bar "||"</code> command.  That's easily done.  We next need
to correct the collision of the tie with the time signature.  This
is best done by moving the tie upwards.  Moving objects was covered
earlier in <a href="Moving-objects.fr.html#Moving-objects">Moving objects</a>, which says that objects positioned
relative to the staff can be moved by overriding their
<code>staff-position</code> property, which is specified in half staff
spaces relative to the center line of the staff.  So the following
override placed just before the first tied note would move the tie
up to 3.5 half staff spaces above the center line:

   <p><code>\once \override Tie #'staff-position = #3.5</code>

   <p>This completes bar two, giving:

   <blockquote>
<pre class="verbatim">     
     rhMusic = \relative c'' {
       r2 c4.\( g8 |
       \once \override Tie #'staff-position = #3.5
       bes1~ |
       \bar "||"
       \time 6/4
       bes2. r8
       % Start polyphonic section of four voices
       &lt;&lt;
         {c,8[ d fis bes a] | }
       \\
         {c,8~ c2 | }
       \\
         {s8 d2 | }
       \\
         {s4 fis4. | }
       >>
       g2.\)
     }
     
     lhMusic = \relative c' {
       r2 &lt;c g ees>2( |
       &lt;d g, d>1)\arpeggio |
       r2. d,,4 r4 r |
       r4
     }
     
     \score {
       \new PianoStaff &lt;&lt;
         \new Staff = "RH"  &lt;&lt;
           \key g \minor
           \rhMusic
         >>
         \new Staff = "LH" &lt;&lt;
           \key g \minor
           \clef "bass"
           \lhMusic
         >>
       >>
     }
</pre>
     <p>
 <a href="../8a/lily-ee0cb1eb.ly">
  <img align="middle"
    border="0" src="../8a/lily-ee0cb1eb.png" alt="[image of music]">
 </a>
</p>

   </blockquote>

   <p>On to bar three and the start of the Moderato section.  The
tutorial showed how to add embolded text with the <code>\markup</code>
command, so adding &lsquo;Moderato&rsquo; in bold is easy. 
But how do we merge notes in different voices together?  This is
where we need to turn to the Notation Reference for help.  A search
for &ldquo;merge&rdquo; in the Notation Reference index quickly leads us to
the commands for merging differently headed and differently
dotted notes in <a name="index-Collision-resolution-429"></a><a href="../lilypond/Collision-resolution.fr.html#Collision-resolution">Collision resolution</a>.  In our
example we need to merge both types of note for the duration
of the polyphonic section in bar 3, so using the information
we find in the Notation Reference we add

<pre class="example">\mergeDifferentlyHeadedOn
\mergeDifferentlyDottedOn
</pre>
   <p class="noindent">to the start of that section and

<pre class="example">\mergeDifferentlyHeadedOff
\mergeDifferentlyDottedOff
</pre>
   <p class="noindent">to the end, giving:

   <blockquote>
<pre class="verbatim">     
     rhMusic = \relative c'' {
       r2 c4.\( g8 |
       \once \override Tie #'staff-position = #3.5
       bes1~ |
       \bar "||"
       \time 6/4
       bes2.^\markup {\bold "Moderato"} r8
       \mergeDifferentlyHeadedOn
       \mergeDifferentlyDottedOn
       % Start polyphonic section of four voices
       &lt;&lt;
         {c,8[ d fis bes a] | }
       \\
         {c,8~ c2 | }
       \\
         {s8 d2 | }
       \\
         {s4 fis4. | }
       >>
       \mergeDifferentlyHeadedOff
       \mergeDifferentlyDottedOff
       g2.\)
     }
     
     lhMusic = \relative c' {
       r2 &lt;c g ees>2( |
       &lt;d g, d>1)\arpeggio |
       r2. d,,4 r4 r |
       r4
     }
     
     \score {
       \new PianoStaff &lt;&lt;
         \new Staff = "RH"  &lt;&lt;
           \key g \minor
           \rhMusic
         >>
         \new Staff = "LH" &lt;&lt;
           \key g \minor
           \clef "bass"
           \lhMusic
         >>
       >>
     }
</pre>
     <p>
 <a href="../fd/lily-aaa30e47.ly">
  <img align="middle"
    border="0" src="../fd/lily-aaa30e47.png" alt="[image of music]">
 </a>
</p>

   </blockquote>

   <p>These overrides have merged the two F-sharp notes, but not the two
on D.  Why not?  The answer is there in the same section in the
Notation Reference &ndash; notes being merged must have stems in
opposite directions and two notes cannot be merged successfully if
there is a third note in the same note column.  Here the two D's
both have upward stems and there is a third note &ndash; the C.  We know
how to change the stem direction using <code>\stemDown</code>, and
the Notation Reference also says how to move the C &ndash; apply a shift
using one of the <code>\shift</code> commands.  But which one? 
The C is in voice two which has shift off, and the two D's are in
voices one and three, which have shift off and shift on,
respectively.  So we have to shift the C a further level still
using <code>\shiftOnn</code> to avoid it interfering with the two D's. 
Applying these changes gives:

   <blockquote>
<pre class="verbatim">     
     rhMusic = \relative c'' {
       r2 c4.\( g8 |
       \once \override Tie #'staff-position = #3.5
       bes1~ |
       \bar "||"
       \time 6/4
       bes2.^\markup {\bold "Moderato"} r8
       \mergeDifferentlyHeadedOn
       \mergeDifferentlyDottedOn
       % Start polyphonic section of four voices
       &lt;&lt;
         {c,8[ d fis bes a] | }
       \\
         % Move the c2 out of the main note column so the merge will work
         {c,8~ \shiftOnn c2 | }
       \\
         % Stem on the d2 must be down to permit merging
         {s8 \stemDown d2 | }
       \\
         {s4 fis4. | }
       >>
       \mergeDifferentlyHeadedOff
       \mergeDifferentlyDottedOff
       g2.\)
     }
     
     lhMusic = \relative c' {
       r2 &lt;c g ees>2( |
       &lt;d g, d>1)\arpeggio |
       r2. d,,4 r4 r |
       r4
     }
     
     \score {
       \new PianoStaff &lt;&lt;
         \new Staff = "RH"  &lt;&lt;
           \key g \minor
           \rhMusic
         >>
         \new Staff = "LH" &lt;&lt;
           \key g \minor
           \clef "bass"
           \lhMusic
         >>
       >>
     }
</pre>
     <p>
 <a href="../88/lily-a5bd4e5f.ly">
  <img align="middle"
    border="0" src="../88/lily-a5bd4e5f.png" alt="[image of music]">
 </a>
</p>

   </blockquote>

   <p>Nearly there.  Only two problems remain: The downward stem on the
merged D should not be there, and the C would be better positioned
to the right of the D's.  We know how to do both of these from the
earlier tweaks: we make the stem transparent, and move the C with
the <code>force-hshift</code> property.  Here's the final result:

   <blockquote>
<pre class="verbatim">     
     rhMusic = \relative c'' {
       r2
       c4.\( g8 |
       \once \override Tie #'staff-position = #3.5
       bes1~ |
       \bar "||"
       \time 6/4
       bes2.^\markup {\bold "Moderato"} r8
       \mergeDifferentlyHeadedOn
       \mergeDifferentlyDottedOn
       &lt;&lt;
         {c,8[ d fis bes a] | }
       \\
         % Reposition the c2 to the right of the merged note
         {c,8~ \once \override NoteColumn #'force-hshift = #1.0
         % Move the c2 out of the main note column so the merge will work
         \shiftOnn c2}
       \\
         % Stem on the d2 must be down to permit merging
         {s8 \stemDown \once \override Stem #'transparent = ##t d2}
       \\
         {s4 fis4.}
       >>
       \mergeDifferentlyHeadedOff
       \mergeDifferentlyDottedOff
       g2.\)
     }
     
     lhMusic = \relative c' {
       r2 &lt;c g ees>2( |
       &lt;d g, d>1)\arpeggio |
       r2. d,,4 r4 r |
       r4
     }
     
     \score {
       \new PianoStaff &lt;&lt;
         \new Staff = "RH"  &lt;&lt;
           \key g \minor
           \rhMusic
         >>
         \new Staff = "LH" &lt;&lt;
           \key g \minor
           \clef "bass"
           \lhMusic
         >>
       >>
     }
</pre>
     <p>
 <a href="../2c/lily-5be0ce9c.ly">
  <img align="middle"
    border="0" src="../2c/lily-5be0ce9c.png" alt="[image of music]">
 </a>
</p>

   </blockquote>

   <!-- footer_tag --><br><hr>
<div class="node">
<p>
Previous:&nbsp;<a rel="previous" accesskey="p" href="Fixing-overlapping-notation.fr.html#Fixing-overlapping-notation">Fixing overlapping notation</a>,
Up:&nbsp;<a rel="up" accesskey="u" href="Collisions-of-objects.fr.html#Collisions-of-objects">Collisions of objects</a>
</div>

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<P>
 Autres langues&nbsp;: <a href="Real-music-example.es.html">español</a>.
 <BR>
 
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