<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN"> <!-- header_tag --> <html lang="en"> <head> <title>Arabic key signatures - GNU LilyPond Notation Reference</title> <meta http-equiv="Content-Type" content="text/html; charset=utf-8"> <meta name="description" content="GNU LilyPond Notation Reference"> <meta name="generator" content="makeinfo 4.11"> <link title="Top" rel="start" href="index.de.html#Top"> <link rel="up" href="Arabic-music.de.html#Arabic-music" title="Arabic music"> <link rel="prev" href="Arabic-note-names.de.html#Arabic-note-names" title="Arabic note names"> <link rel="next" href="Arabic-time-signatures.de.html#Arabic-time-signatures" title="Arabic time signatures"> <link href="http://www.gnu.org/software/texinfo/" rel="generator-home" title="Texinfo Homepage"> <!-- Copyright (C) 1999--2007 by the authors Permission is granted to copy, distribute and/or modify this document under the terms of the GNU Free Documentation License, Version 1.1 or any later version published by the Free Software Foundation; with no Invariant Sections. 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These key signatures define a small number of maqam groups rather than the large number of maqams that are in common use. <p>In general, a maqam uses the key signature of its group, or a neighbouring group, and varying accidentals are marked throughout the music. <p>For example to indicate the key signature of a maqam muhayer piece: <pre class="example">\key re \bayati </pre> <p>Here <var>re</var> is the default pitch of the muhayer maqam, and <var>bayati</var> is the name of the base maqam in the group. <p>While the key signature indicates the group, it is common for the title to indicate the more specific maqam, so in this example, the name of maqam muhayer should appear in the title. <p>Other maqams in the same bayati group, as shown in the table below: (bayati, hussaini, saba, and ushaq) can be indicated in the same way. These are all variations of the base and most common maqam in the group, which is bayati. They usually differ from the base maqam in their upper tetrachords, or certain flow details that don't change their fundamental nature, as siblings. <p>The other maqam in the same group (Nawa) is related to bayati by modulation which is indicated in the table in parenthesis for those maqams that are modulations of their base maqam. Arabic maqams admit of only limited modulations, due to the nature of Arabic musical instruments. Nawa can be indicated as follows: <pre class="example">\key sol \bayati </pre> <p>In Arabic music, the same term such as bayati that is used to indicate a maqam group, is also a maqam which is usually the most important in the group, and can also be thought of as a base maqam. <p>Here is one suggested grouping that maps the more common maqams to key signatures: <p><table summary=""><tr align="left"><th valign="top" width="10%">maqam group </th><th valign="top" width="10%">key </th><th valign="top" width="10%">finalis </th><th valign="top" width="60%">Other maqmas in group (finalis) <br></th></tr><tr align="left"><td valign="top" width="10%">ajam </td><td valign="top" width="10%">major </td><td valign="top" width="10%">sib </td><td valign="top" width="60%">jaharka (fa) <br></td></tr><tr align="left"><td valign="top" width="10%">bayati </td><td valign="top" width="10%">bayati </td><td valign="top" width="10%">re </td><td valign="top" width="60%">hussaini, muhayer, saba, ushaq, nawa (sol) <br></td></tr><tr align="left"><td valign="top" width="10%">hijaz </td><td valign="top" width="10%">kurd </td><td valign="top" width="10%">re </td><td valign="top" width="60%">shahnaz, shad arban (sol), hijazkar (do) <br></td></tr><tr align="left"><td valign="top" width="10%">iraq </td><td valign="top" width="10%">iraq </td><td valign="top" width="10%">sisb </td><td valign="top" width="60%">- <br></td></tr><tr align="left"><td valign="top" width="10%">kurd </td><td valign="top" width="10%">kurd </td><td valign="top" width="10%">re </td><td valign="top" width="60%">hijazkar kurd (do) <br></td></tr><tr align="left"><td valign="top" width="10%">nahawand </td><td valign="top" width="10%">minor </td><td valign="top" width="10%">do </td><td valign="top" width="60%">busalik (re), farah faza (sol) <br></td></tr><tr align="left"><td valign="top" width="10%">nakriz </td><td valign="top" width="10%">minor </td><td valign="top" width="10%">do </td><td valign="top" width="60%">nawa athar, hisar (re) <br></td></tr><tr align="left"><td valign="top" width="10%">rast </td><td valign="top" width="10%">rast </td><td valign="top" width="10%">do </td><td valign="top" width="60%">mahur, yakah (sol) <br></td></tr><tr align="left"><td valign="top" width="10%">sikah </td><td valign="top" width="10%">sikah </td><td valign="top" width="10%">misb </td><td valign="top" width="60%">huzam <br></td></tr></table> <p class="noindent"> <h5 class="subsubheading">Selected Snippets</h5> <p><em>Non-traditional key signatures</em> <p>The commonly used <code>\key</code> command sets the <code>keySignature</code> property, in the <code>Staff</code> context. <p>To create non-standard key signatures, set this property directly. The format of this command is a list: <p><code> \set Staff.keySignature = #`(((octave . step) . alter) ((octave . step) . alter) ...) </code> where, for each element in the list, <code>octave</code> specifies the octave (0 being the octave from middle C to the B above), <code>step</code> specifies the note within the octave (0 means C and 6 means B), and <code>alter</code> is <code>,SHARP ,FLAT ,DOUBLE-SHARP</code> etc. (Note the leading comma.) <p>Alternatively, for each item in the list, using the more concise format <code>(step . alter)</code> specifies that the same alteration should hold in all octaves. <p>Here is an example of a possible key signature for generating a whole-tone scale: <blockquote> <pre class="verbatim"> \relative c' { \set Staff.keySignature = #`(((0 . 3) . ,SHARP) ((0 . 5) . ,FLAT) ((0 . 6) . ,FLAT)) c4 d e fis aes4 bes c2 } </pre> <p> <a href="../83/lily-eba9542e.ly"> <img align="middle" border="0" src="../83/lily-eba9542e.png" alt="[image of music]"> </a> </p> </blockquote> <p class="noindent"> <h5 class="subsubheading">See also</h5> <p class="indent"> <p>Notation Reference: <a href="Key-signature.de.html#Key-signature">Key signature</a>. <p>Learning Manual: <a name="index-Accidentals-and-key-signatures-2323"></a><a href="../lilypond-learning/Accidentals-and-key-signatures.de.html#Accidentals-and-key-signatures">Accidentals and key signatures</a>. <p>Internals Reference: <a name="index-KeySignature-2324"></a><a href="../lilypond-internals/KeySignature.de.html#KeySignature">KeySignature</a>. <p>Snippets: <a href="../../../input/lsr/lilypond-snippets/World-music.html#World-music">World music</a>, <a href="../../../input/lsr/lilypond-snippets/Pitches.html#Pitches">Pitches</a>. <!-- footer_tag --><br><hr> <div class="node"> <p> Next: <a rel="next" accesskey="n" href="Arabic-time-signatures.de.html#Arabic-time-signatures">Arabic time signatures</a>, Previous: <a rel="previous" accesskey="p" href="Arabic-note-names.de.html#Arabic-note-names">Arabic note names</a>, Up: <a rel="up" accesskey="u" href="Arabic-music.de.html#Arabic-music">Arabic music</a> </div> <div style="background-color: #e8ffe8; padding: 2; border: #c0ffc0 1px solid;"> <p> <font size="-1"> Diese Seite ist für LilyPond-2.11.57 (Entwicklungszweig). <br> <address> Fehler bitte an <a href="http://post.gmane.org/post.php?group=gmane.comp.gnu.lilypond.bugs">http://post.gmane.org/post.php?group=gmane.comp.gnu.lilypond.bugs</a> melden. </address> <br> Ihre <a href="http://lilypond.org/web/devel/participating/documentation-adding">Vorschläge für die Dokumentation</a> sind willkommen. </font> </p> </div> </BODY></html>