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<a name="Further-reading"></a>
Previous: <a rel="previous" accesskey="p" href="Arabic-music-example.es.html#Arabic-music-example">Arabic music example</a>,
Up: <a rel="up" accesskey="u" href="Arabic-music.es.html#Arabic-music">Arabic music</a>
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<h5 class="unnumberedsubsubsec">Further reading</h5>
<ol type=1 start=1>
<li>The music of the Arabs by Habib Hassan Touma [Amadeus Press, 1996],
contains a discussion of maqams and their method of groupings.
<p>There are also various web sites that explain maqams and some
provide audio examples such as :
<ul>
<li><a href="http://www.maqamworld.com/">http://www.maqamworld.com/</a>
<li><a href="http://www.turath.org/">http://www.turath.org/</a>
</ul>
<p>There are some variations in the details of how maqams are grouped,
despite agreement on the criteria of grouping maqams that are
related through common lower tetra chords, or through modulation.
<li>There is not a complete consistency, sometimes even in the same
text on how key signatures for particular maqams should be
specified. It is common, however, to use a key signature per
group, rather than a different key signature for each different
maqam.
<p>Oud methods by the following authors, contain examples of
mainly Turkish and Arabic compositions.
<ul>
<li>Charbel Rouhana
<li>George Farah
<li>Ibrahim Ali Darwish Al-masri
</ul>
</ol>
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